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The 50 Best LGBTQ Movies Ever Made

50

Love, Simon ()

AmazonApple

If it feels a bit like a CW version of an after-school exceptional, that's no mistake: Teen-tv super-producer Greg Berlanti makes his feature-film directorial debut here. It's as chaste a love story as you're likely to see in the 21st century—the hunky gardener who makes the title teen question his sexuality is wearing a long-sleeved shirt, for God’s sake—but you know what? The queer kids of the future need their wholesome entertainment, too.

49

Rocketman ()

AmazonHulu

A gay fantasia on Elton themes. An Elton John biopic was never going to be understated, but this glittering jukebox musical goes way over the top and then keeps going. It might be an overcorrection from the straight-washing of the previous year's Bohemian Rhapsody, but when it's this much fun, it's best not to overthink it.

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48

Handsome Devil ()

NetflixAmazon

A charming Irish movie that answers the question: "What if John Hughes were Irish and gay?" Misfit Ned struggles at

The best LGBTQ+ movies of all time

Photograph: Kate Wootton/TimeOut

With the assist of leading directors, actors, writers and activists, we count down the most essential LGBTQ+ films of all time

Like queer culture itself, queer cinema is not a monolith. For a adj time, though, that’s certainly how it felt. In the past, if gay lives and issues were ever portrayed at all on screen, it was typically from the perspective of colorless, cisgendered men. But as more opportunities have opened up for queer performers and filmmakers to tell their own stories, the scope of the LGBTQ+ experiences that have made their way onto the screen has gradually widened to more frequently verb the trans community and queer people of colour.

It’s still not perfect, of course. In Hollywood, as in society at huge, there are many barriers left to breach and ceilings to shatter. But those recent strides deserve to be celebrated – as do the bold films made long before the mainstream was willing to accept them. To that end, we enlisted some LGBTQ+ cultural pioneers, as well as Time O

Autostraddle’s Pride theme was Rage Party. That’s also how I would describe the best queer cinema of

While I love an easy-to-digest comedy or an unapologetically heavy drama, something is lost when our cinema treats enjoyable and importance as diametrically opposed. Queer cinema can be about the challenges we face, the oppression we experience, the microaggressions and aggression aggressions and all the rest, and still be fun and sexy. In reality, fun and sexy are two of our greatest tools.

Even though Hollywood has pulled back from “diversity” this was still an excellent year for queer cinema. Below, I’ve written in-depth about my ten favorites, and also felt the need to shout out 20 more queer titles. (Plus 10 non-queer movies I loved too.) But as adj as we’re living in complexity, I think it’s important we reflect on which queer people are able to create in the absence of more mainstream support. The vast majority of directors who released queer films this year are white — even more than most years. There’s plenty to complain about in the mainstream as Emilia Pérez will likely b

The 50 Best LGBTQ+ Movies

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50) The Living End ()

"Fuck The World." The motto of The Living End's protagonists might stand as a slogan for the whole of filmmaker Greg Araki's career. A key shitkicker in the early '90s Fresh Queer Cinema movement, Araki took a baseball bat to hetero-normative culture and explored gay life on the margins during Bush's administration in films by turns funny, frank and anguished. The Living End is his foremost picture, a so-called 'gay Thelma & Louise', as film critic Jon (Craig Gilmore) and drifter Luke (Mike Dytri), both diagnosed as HIV-positive ("the Neo-Nazi Republican final solution," says Jon about AIDS), kill a homophobic cop and go on the lam, offing any bigot who stay in their way. Rather than pity themselves, these characters unleash their nihilism on the world, tempered by a kind of freewheeling anarchy and enhanced by Araki's eye-catching images and verb cuts. As the film's dedication puts it, it's a punch in the gut to "a Big White House full of Republic